On the Set with Lucille Ball in “Yours, Mine, and Ours” by Tony Piazza

 

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Today’s memory came courtesy of a new friend that I made on TCM. Her favorite film was “Yours, Mine, and Ours” starring LUCILLE BALL and HENRY FONDA.

It was an unusually warm summer evening in 1968, just two years before I would join the S.F. Casting Agency and work on my first film, “What’s Up, Doc!” starring BARBRA STREISAND and RYAN O’ NEAL. My father was assigned to find S.F. locations and provide security to the “Yours, Mine, and Ours” production company (Desilu and UA). One Friday night he invited us (my mother, aunt, uncle, and I) to visit the set. They were filming at a Mexican restaurant located in Ghirardelli Square- Senor Picos (alas, no longer there) and obviously the word got out to the public because the location was surrounded by hundreds of spectators as we’d arrived.

Luckily the shooting was inside the restaurant, so the crowds were not a problem. We also waited outside the restaurant because space was limited to cast and some essential crew- however we were able to get within the ropes to mingle with the other members of the crew that were also “locked out”. Here I spotted VAN JOHNSON who was taking a break for some much needed fresh air. The one thing I remember about him was his shoes- they were black and white patent leather shoes with buttons. Very fancy- I’m not a fashion person and I don’t know why that would stick in my memory- but they did. I also saw DESI JR. and LUCY- Lucille’s children who were visiting that night. Desi Jr. was a guest star on “The Streets of San Francisco” about seven years later when I was a stand-in on the show, and I got to talk to him about this earlier encounter. It turns out that it was his birthday and he was there to get his present- an Aston Martin DB5 that was being sold to his family by a man in Oakland, CA. Incidentally, both he and his sister are extremely nice, down to earth kids.

Another incident that evening- and a very memorable one at that - occurred when we’d first arrived. I went to the restaurant door and knocked on it hoping that whoever answered would get my father (who was inside). The door swung open and there standing before me was Henry Fonda in a Naval uniform! He obviously was playing a joke; I could tell by his smile, and the mischievous look in his eyes when he threw open the door.  He said, “Can I help you!” I stuttered out if he could let my father know that we were here. He said sure and disappeared inside. I’m sure my startled expression showed his joke paid off.

The big event of the evening came when the company “wrapped” just after midnight. Ms. Ball had a limousine waiting at the bottom of the stairs leading from the restaurant. It was to take her back to her hotel The crowds were still thick with craning necks waiting anxiously for her arrival. There was a gasp from the crowd as she stepped out and she immediately turned to my father, placed out her hand and asked (using his first name) for his assistance to get her safely through the crowd. I was impressed!

It was indeed a very memorable evening and one I’ll likely not forget.

Author’s additional note: When someone in the past would ask me about Lucille Ball’s personality I would usually beat around the bush. It’s hard to tell a fan that America’s funny lady wasn’t all that funny in person. She was a professional to be sure, and knew when to be ”on” and when to not. I heard that she was generous to other performers and I believe it. But that night I saw a serious business woman who didn’t want to waste time or money, and she expressed that in no uncertain terms.  It was her production company paying the bills however, so who could blame her.

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Tony Piazza is author of the 1930’s Hollywood murder mystery novel, “Anything Short of Murder,” which had its roots on the TCM fan website. His next novel, “The Curse of the Crimson Dragon” is due out early 2012. He was an actor/extra during the 1970’s and worked with such legends as Steve McQueen, Paul Newman, and Karl Malden.